Civilization101Blueprint

Smelting: first metal

Extract metal from rock.

Tier 2 · Bronze and Iron Age Materials t2-smelt Blocked by prerequisites
A clay bloomery shaft after a smelt, with the slag pit in front of the tap. Forge Lou Foc - Bas fourneau - 01 - 2016-05-14 · 2016-05-14 12:06 · MathieuMD · CC BY-SA 4.0 · Commons ↗

Everything for this step

Field guide
Charcoal → 6 sections Smithing → 6 sections Poisons → 2 sections Properties of materials → 2 sections Minerals and ores → 3 sections Chemistry → 9 sections
Reference sheets
1 sheet in Charcoal
Sciences it rests on
Chemistry · Physics
Track
Metals, level 1 of 4 · next: Steel and heat treatment

Why this matters

Metal is the first genuine force multiplier. An iron axe does in a day what a stone axe does in a week, and that surplus labour is what pays for every tier above. It is also the point at which your society must support specialists, because nobody learns this part-time.

The shape of it

  1. Find ore. Bog iron — heavy, rusty-orange nodules in wet ground and slow streams — is the easiest iron on earth to find and needs no mining. Copper often shows as green or blue staining on rock. Read De Re Metallica for what ores look like and how they were dressed.
  2. Roast the ore first: heat it in an open fire to drive off water and sulphur and make it crumbly. Then crush it small — thumbnail or less. Fine, uniform ore reacts; lumps do not.
  3. Build a bloomery. A clay-lined shaft roughly a metre tall, with a tuyère (air pipe) low down angled slightly downward, and a slag tap at the base. Dry it slowly and completely before firing or it will crack apart.
  4. Charge alternately — charcoal, then ore, then charcoal — keeping the furnace full, and blow air continuously through the tuyère. This runs for hours and the bellows must never stop.
  5. Understand that a bloomery does not melt iron. It reduces it in the solid state. You get a spongy mass — a bloom — of iron mixed with slag, sitting at the base, not a pour of liquid metal. Expecting liquid iron is the commonest misunderstanding here.
  6. Consolidate the bloom while it is white hot: hammer it hard and repeatedly to squeeze the slag out. This takes hours and most of the mass is lost. What remains is wrought iron.
  7. Copper and bronze are far easier and worth doing first for the practice: copper melts around 1,085 °C and can be poured. Bronze — copper with roughly a tenth tin — melts lower, casts beautifully and is harder than either parent metal. If you have tin, bronze is a faster route to good tools than iron.
  8. Flux with limestone to make the slag run freely. See lime.
The temperatures that decide the metal Fig 1
A bloomery works in the band where iron ore gives up its oxygen but the iron does not melt. Too hot, with too much charcoal, and the iron takes up carbon and runs as brittle cast iron. Pure iron melts at 1,538 °C, which no bloomery reaches: wrought iron was hammered, never cast. Heat colours are approximate and must be read in shade.

Doing it, step by step

The summary above says what has to happen. This says how, with the numbers that decide whether it works.

1 · Find ore, and prove it is ore

Bog iron — rust-orange to dark brown nodules and crusts in wet ground, slow streams and peat — is the easiest iron on earth to find and needs no mining. Look for an oily, rainbow-sheened film on still water nearby that breaks into plates when poked — that is iron bacteria, not oil. Copper often shows as green (malachite) or blue (azurite) staining on rock.

Prove it: heavy for its size; on the unglazed back of a tile, bog iron leaves a yellow-brown streak, haematite a red-brown one and magnetite a black one. A roasted sample that is pulled by a magnet almost certainly contains iron. See De Re Metallica.

✓ Check: A roasted sample of the ore is attracted to a magnet, or for copper, the green or blue mineral fizzes in vinegar and the vinegar turns blue-green.

2 · Roast and crush the ore

Roast the ore in an open fire, to a dull red heat, about 600–800 °C, for an hour or more, turning it. This drives off water and sulphur, cracks the lumps, and converts bog iron to a more reducible oxide. Roasted ore is darker and crumbles easily.

Crush it to pea size — about 5–10 mm — and sieve out the dust, which blows out of the furnace or clogs it. Fine, uniform ore reacts; lumps do not. Weigh the roasted, crushed ore — you will need the number to judge the yield.

Roast outdoors, upwind, and away from people. Many ores, copper ores especially, contain sulphur and arsenic that come off as choking and poisonous fumes. A garlic smell from the roast is arsenic.
✓ Check: The roasted ore crumbles under a hammer blow, passes a 10 mm sieve, and its weight is recorded.

3 · Build the bloomery and dry it completely

A clay shaft about 1 m tall with an internal diameter of 25–30 cm, walls 10 cm or more of clay mixed with sand and chopped straw or dung. The tuyère — the air pipe — enters about 20 cm above the floor, angled downward at around 20–25°. Leave an arch at the base that can be opened to tap slag and remove the bloom. See the bloomery.

Dry it slowly for days, then warm it with a small wood fire for several hours before the smelt. Water in the walls turns to steam and cracks the furnace open during the burn.

✓ Check: The shaft has dried for days with no fresh cracks, and a preheating fire has run for several hours with no steam coming out of the walls.

4 · Preheat with charcoal, then charge ore and charcoal alternately

Fill the shaft with charcoal and blow for about an hour to bring the whole column to heat before any ore goes in.

Then charge in alternate layers: a measure of charcoal, a measure of ore, roughly equal weights per charge, adding a new charge every 10–15 minutes as the column sinks. Keep the shaft full. A typical run for a furnace this size is 4–8 hours, and records of each charge — time and weight — are what let you improve the next one.

✓ Check: A written log shows the time and weight of every charge, and the shaft never sank more than a hand below the rim.

5 · Blow continuously — air is the commonest failure

Insufficient or intermittent air is the single commonest cause of failure: the furnace never reaches temperature and you get a lump of roasted rock. Air comes from bellows worked in shifts, without stopping, for the whole run. Plan a rota of at least four people for a single furnace.

Signs it is right: a bright yellow-white glow in the tuyère, a steady purring roar, and slag dripping and forming at the base. If the tuyère glow goes orange or red, the air is short — increase it before anything else. Tap slag through the arch when it builds up, so it does not drown the bloom.

✓ Check: The tuyère glowed yellow-white through the whole run, and the bellows rota covered every minute of it with no gaps.

6 · Extract the bloom and consolidate it while white-hot

A bloomery does not melt iron. It reduces it in the solid state, leaving a spongy mass — the bloom — of iron and slag at the base. Expecting liquid iron and discarding the bloom as a failure is the commonest mistake of all.

At the end of the run, break open the arch, pull the bloom out with tongs, and immediately start hammering it on a stump or stone — lightly at first, because it is fragile — to squeeze out the slag and weld the iron together. Reheat and hammer repeatedly over hours. Most of the mass is lost; what remains is wrought iron. Expect a bloom of roughly 10–25% of the ore weight.

✓ Check: The consolidated bar rings rather than crumbles when struck, shows bright metal when filed, and its weight against the ore weight is recorded.

7 · Practise on copper and bronze first

Copper melts at about 1,085 °C and can be poured, so every step gives visible feedback. Smelt copper ore in a smaller furnace or a crucible with charcoal and forced air, then cast it in a mould of stone, clay or sand.

Bronze — copper with roughly a tenth tin — melts lower, casts beautifully and is harder than either metal alone. If you have tin, bronze is a faster route to good tools than iron. Always dry moulds completely and preheat them: molten metal on a damp mould throws out steam and metal together.

Never let molten metal touch water or a damp surface. The water flashes to steam under the metal and throws it out explosively — the classic foundry injury. Everything the metal will touch, including tools and the ground, must be bone dry.
✓ Check: A bronze or copper casting has come out of a mould complete, with no voids at the thin end, and has been hammered or ground into a working edge.

8 · Flux, record, and budget for three times the charcoal

Add crushed limestone or shell — see lime — with the ore when the slag is thick and sticky; it makes the slag run freely and leave the iron. Start small, a handful per charge, and increase only if the slag stays viscous.

Record every smelt: ore source and weight, charcoal weight, charge interval, air rota, duration, slag behaviour, and bloom weight. This is how the second smelt beats the first. And have three times the charcoal you think you need — running out halfway through a smelt wastes all of it.

✓ Check: Each smelt has a complete written record, and the charcoal store held three times the estimate before the furnace was lit.

The better path

What the record shows was done at this step, what to do instead at this tier, and the evidence. All of them: the better path.

Do not repeat

Lead where it can reach a mouth

What was done
Lead glazes on cooking and storage pots, lead vessels for boiling down wine and syrup, lead water pipes, and white lead paint on walls and toys.
Do instead
Keep lead out of anything that holds food, drink or water, and off surfaces children touch: unglazed or high-fired pots, iron, wood and stone for vessels, and limewash for walls. Use lead for roofing, weights and acid chambers.
Evidence
Roman cooks boiled grape must in lead vessels to make sapa, a sweetener containing lead acetate. Lead-glazed pottery used for acidic food still causes lead poisoning today. No safe blood lead level is known; in children, lead lowers IQ permanently. France, Belgium and Austria banned white lead in interior paint in 1909; the United States did so in 1978.

Needs: Pottery and the first kiln, Lime

How this fails

Insufficient or intermittent air. This is the single most common cause of failure — the furnace never reaches temperature and you get a lump of roasted rock.
A furnace that was not dried properly and cracks during the burn.
Ore that was not roasted or not crushed fine enough.
Expecting molten iron and discarding the bloom as failed.
Running out of charcoal halfway. Have three times what you think you need.

How you know it worked

VerificationYou have forged a usable tool from metal you smelted yourself from local ore.